No deixeu que llegeixin per vosaltres
"No deixeu que llegeixin per vosaltres" is a poetic action inside a plastic installation taking books and reading as totems to discover and to irony, where the response of the physical and vocal officiating shares transports us to a vital and healthy transgression beyond culture restricctions used to manipulate and deceive. Do not decive neither deceive ourselfs is a mandate that goes beyond our duties and oblies us to respond as open to other thoughts people, source of wealth and live communication. Activate the body to find rational answers to questions that we know, but sometimes forget that for convenience, it is a necessity for Zona Zàlata, whose flag is the commitment to everything around disliking us. Nobody is erected a priest of culture, leave us alone to decide the way forward as individuals and as a society.
"Records" is a poetic action taaken as a refernce previous Zona Zàlata shows as"L'actor que dansa", "Sistema Solar", "I després el silenci" and "Potser demà" and pretending to be a reflection on human violence and the inability of our culture to end the barbarism and war as a means of repression and control of a society unable to be fair to the weakest and honest with those closest. "Records" is thus a poetic action that allows Zona Zàlata to reflect on their own creative story, to set new directions, and allows at the same time claim a fairer society where difference is not in dispute, or marginalization, or violence, and as we say in the show: "We bloody wars and who made them ..."
El bosc sagrat
The city is presented as a sacred forest full of contradictions that created us material needs converted into traps that make us forget the essence of our existence. With this show Zona Zàlata celebrates 25 years of existence and what better to do it than up on stage and showing his passion for the lives of the community. Some people with names, with feelings and contradictions, illusions and decision. A job with the body as the protagonist, with the word as a link and smile as an antidote to a big lie that we do not understand. A journey through a creative experience consolidated into an internal coherence that does not want to lose sight of the continuing reflection of what happens to us every day, of what motivates us, and what keeps us alive: the feelings of others.
A journey through the history of the theater would be very pretentious. Incorporate theatrical tradition registers and popular theater and seek their own and current language would be plausible and recommend.
With this unique show presented here have done a little of this, and something more: enjoy comedy, farce and pantomime as tools to tell stories in different ways in terms of comedy.
"Transicions" are two shows in one: starting from the classic pantomime -first Roman history, "A la casa de Mecenes"- we go deeper, slowly and without warning, with a subtle transition, a new story -"Santa Barra", located in today's world, next to the theater and dance we call for its features, XXI century Comedy art .
Cultura, Kultura, Mixtura
"Cultura, Kultura, Mixtura" shows us characters "type" taking position in front of the need to communicate, to discover how they are and how to react to the challenges of everyday life.
WE CAN ...
We can observe how culture brings us closer to others
We exchange ways of being and act.
We can talk through the body and voice with our environment and our reality. Reflect on life and death, about the different ways of relating oneself. About our ability to communicate and articulate processes of creation through our references and our hopes.
We propose to convert a ritual and a collective ceremony into a vital route to find answers to great individual doubts. A visual party where the senses are the protagonists